Consider: Spring Breakers for Best Cinematography

Here's a new feature in which I'll briefly highlight an aspect of a new film that I feel deserves more awards consideration. (It's still early, but this movie probably won't be recognized anyway.)

Best Cinematography: 2000s

2000: In the Mood for Love (Christopher Doyle, Pung-Leung Kwan and Mark Lee Ping-bin)

Oscar winner: Crouching Tiger, Hidden Dragon (Peter Pau)

Was this film nominated?: No

Best Cinematography: 1990s

1990: Dreams (Takao Saitô and Shôji Ueda)

Oscar winner: Dances with Wolves (Dean Semler)

Was this film nominated?: No

Best Cinematography: 1980s

1980: Raging Bull (Michael Chapman)

Oscar winner: Tess

Was this film nominated?: Yes

Best Cinematography: 1970s

1970: The Conformist (Vittorio Storaro)

Oscar winner: Ryan's Daughter

Was this film nominated?: No

Best Cinematography: 1960s

1960: Psycho (John L. Russell)

Oscar winner: Sons and Lovers (B&W),

Spartacus (Color)

Was this film nominated?: Yes

Best Cinematography: 1950s

UPDATE: Alex suggested including each year's Oscar winner and whether or not my pick was nominated, so I've added that on my Best Picture and Best Cinematography picks. My acting picks will be updated very soon.

1950: Sunset Blvd. (John F. Seitz)

Oscar winner: The Third Man (B&W),
King Solomon's Mines (Color)
Was this film nominated?: Yes

Best Cinematography: 1940s

1940: The Long Voyage Home (Gregg Toland)

Oscar winner: Rebecca (B&W),

The Thief of Bagdad (Color)
Was this film nominated?: Yes

Best Cinematography: 1930s

1930: Earth (Daniil Demutsky)

Oscar winner: With Byrd at the South Pole ('29/'30)

Was this film nominated?: No