Blind Spot: Monsieur Hulot's Holiday (1953)

Tati's slapstick falls flat.

1953 CinSpec Awards

Blind Spot: Tokyo Story (1953)

Ozu's masterful film is a must-see.

Double Feature: Alice Adams (1935) and Shane (1953)

Alice Adams:

Katharine Hepburn headlines as the titular character of George Stevens' comedy of socially-challenging proportions. As the daughter of a working man, she cannot present herself as frivolously as the other girls in town, and she is quite the scandal for it. Her world is shaken up when she must deal with the scandal of a new-found romance with the upstanding Arthur (Fred MacMurray) and the problem of her social position.

The film received only two nominations for Best Picture and Best Actress. It lost both of them, but Hepburn was very deserving of a what would have been her second Oscar at the time. The supporting cast was also passed over sadly.

Shane:

George Stevens' celebrated western (what range he had) features a roaming stranger (Ladd) who helps a terrorized family restore peace to their valley. Under the heel of an aged cattleman, the entire community is plagued with fear as he attempts to drive them out, even hiring a gunslinger (Palance) to intimidate them. Shane, a semi-retired gunman, must fight to keep the peace and take a final stand for his friends.

The film received nominations for Best Picture, Best Director, Best Supporting Actor (De Wilde), Best Supporting Actor (Palance), Best Screenplay, & Best Cinematography (Color). Loyal Griggs took home his (and the film's) only Oscar for Best Cinematography.

Double Feature: King Solomon's Mines (1950) and Julius Caesar (1953)

King Solomon's Mines:

Deborah Kerr and Stewart Granger star in this Technicolor adaptation of Allan Quatermain's quest to find a woman's husband who went looking for the mysterious diamond mines of King Solomon. Though it is dated, it is easy to see why an adventure film like this got nominated for Best Picture amidst films like All About Eve and Sunset Boulevard.

The film received nominations for Best Picture, Best Cinematography (Color), and Best Film Editing. Though it won for the latter two nominations, the Best Picture nomination could have been given to something like Harvey or The Third Man.

Julius Caesar:

This rendering of Shakespeare's tragedy features solid performances from James Mason (as Brutus), Marlon Brando (as Mark Antony), and John Gielgud (as Cassius). Director Joseph L. Mankiewicz allows the material (and what material!) to speak for itself, and Miklos Rozsa's score complements it nicely.

The film received nominations for Best Picture, Best Actor (Brando), Best Art Direction (B&W), Best Cinematography (B&W), and Best Score (Dramatic or Comedy Picture). Though Brando is good, Mason and Gielgud deserved to be nominated along with him.